Sound Theory Sound Practice

Sound Theory  Sound Practice PDF
Author: Rick Altman
Publisher: Other
ISBN: 9780415904568
Size: 45.42 MB
Format: PDF
Category : Performing Arts
Languages : en
Pages : 291
View: 1707

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Sound Theory/Sound Practice is divided into three major sections: Theoretical Perspectives, Historical Speculations, and Neglected Domains. The entire volume is marked by a revised understanding of cinema and particularly film sound. Individual essays cover such diverse topics as the conversion to sound, cartoon sound, documentary sound, and voices of women in third-world cinema. This collection combines unpublished articles by established scholars who first attracted academic attention to cinema sound - Altman, John Belton, Michel Chion, and Alan Williams - with work written by a new generation of sound-sensitive scholars. Dramatically broadening the previous field of research on sound, Sound Theory/Sound Practice promises to renew the debate over the importance of sound to cinema, from a theoretical as well as a historical perspective.

Live Sound

Live Sound PDF
Author: Mark Amundson
Publisher: Timeless Communication
ISBN: 9780979810701
Size: 11.69 MB
Format: PDF, Kindle
Category : Music
Languages : en
Pages : 156
View: 6095

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(Book). Troubleshooting tips from a seasoned sound engineer. Real live sounds engineers swim in a reality of time pressure, troubleshooting, non-technical individuals and limitations of money. This book provides practical advice pulled from the articles the author wrote for the live sound industry leading magazine Front of House . Topics include equipment storage and handing, speaker positioning, speaker and amp matching, power distribution, signal processing, handling wireless mics, and other daily operational topics that are important to national touring crew technicians and engineers.

Sound Theory Sound Practice

Sound Theory  Sound Practice PDF
Author: Robert B. Altman
Publisher: Psychology Press
ISBN: 9780415904575
Size: 73.93 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 291
View: 1336

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First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Film Sound

Film Sound PDF
Author: Elisabeth Weis
Publisher:
ISBN: 9780231056373
Size: 70.96 MB
Format: PDF, Mobi
Category : Performing Arts
Languages : en
Pages : 462
View: 3591

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The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected film historians, aestheticians, and theorists of the past sixty years.

Studying Sound

Studying Sound PDF
Author: Karen Collins
Publisher: MIT Press
ISBN: 0262362910
Size: 46.20 MB
Format: PDF, Kindle
Category : Science
Languages : en
Pages : 248
View: 1787

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An introduction to the concepts and principles of sound design practice, with more than 175 exercises that teach readers to put theory into practice. This book offers an introduction to the principles and concepts of sound design practice, from technical aspects of sound effects to the creative use of sound in storytelling. Most books on sound design focus on sound for the moving image. Studying Sound is unique in its exploration of sound on its own as a medium and rhetorical device. It includes more than 175 exercises that enable readers to put theory into practice as they progress through the chapters.

Sound Design Theory And Practice

Sound Design Theory and Practice PDF
Author: Leo Murray
Publisher: Routledge
ISBN: 1317298233
Size: 17.77 MB
Format: PDF, ePub, Docs
Category : Social Science
Languages : en
Pages : 206
View: 1370

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Sound Design Theory and Practice is a comprehensive and accessible guide to the concepts which underpin the creative decisions that inform the creation of sound design. A fundamental problem facing anyone wishing to practice, study, teach or research about sound is the lack of a theoretical language to describe the way sound is used and a comprehensive and rigorous overarching framework that describes all forms of sound. With the recent growth of interest in sound studies, there is an urgent need to provide scholarly resources that can be used to inform both the practice and analysis of sound. Using a range of examples from classic and contemporary cinema, television and games this book provides a thorough theoretical foundation for the artistic practice of sound design, which is too frequently seen as a ‘technical’ or secondary part of the production process. Engaging with practices in film, television and other digital media, Sound Design Theory and Practice provides a set of tools for systematic analysis of sound for both practitioners and scholars.

The Sound Handbook

The Sound Handbook PDF
Author: Tim Crook
Publisher: Routledge
ISBN: 1136521089
Size: 15.30 MB
Format: PDF, ePub, Docs
Category : Performing Arts
Languages : en
Pages : 264
View: 2755

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'Tim Crook has written an important and much-needed book, and its arrival on our shelves has come at a highly appropriate time.' Professor Seán Street, Bournemouth University The Sound Handbook maps theoretical and practical connections between the creation and study of sound across the multi-media spectrum of film, radio, music, sound art, websites, animation and computer games entertainment, and stage theatre. Using an interdisciplinary approach Tim Crook explores the technologies, philosophies and cultural issues involved in making and experiencing sound, investigating soundscape debates and providing both intellectual and creative production information. The book covers the history, theory and practice of sound and includes practical production projects and a glossary of key terms. The Sound Handbook is supported by a companion website, signposted throughout the book, with further practical and theoretical resources dedicated to bridging the creation and study of sound across professional platforms and academic disciplines.

Classroom Management

Classroom Management PDF
Author: Robert T. Tauber
Publisher: Greenwood Publishing Group
ISBN: 0275996697
Size: 14.79 MB
Format: PDF, ePub, Docs
Category : Education
Languages : en
Pages : 433
View: 1201

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Tauber describes how educators can manage their classrooms by introducing readers to some of the basic discipline theories and showing them how they can apply these theories in a practical manner.

Silent Film Sound

Silent Film Sound PDF
Author:
Publisher:
ISBN: 9780231534000
Size: 68.40 MB
Format: PDF
Category : Motion picture music
Languages : en
Pages : 462
View: 6303

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Overview: Because silent cinema is widely perceived as having been exactly that-silent-no one has fully examined how sounds was used to accompany the films of this era. Silent Film Sound reconsiders all aspects of sound practices during the entire silent film period. Based on extensive original research and accompanied by gorgeous illustrations, the book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Contrary to received opinion, silent films were not always accompanied, nor were accompaniments uniform. Beginning with sound practices before cinema's first decade and continuing through to the more familiar sound practices of the 1920s, Rick Altman discusses the variety of sound strategies and the way early cinema exhibitors used these strategies to differentiate their products. During the nickelodeon period prior to 1910, this variety reached its zenith, with theaters often deploying half a dozen competing sound strategies-from carnival-like music in the street, automatic pianos at the rear of the theater, and small orchestras in the pit to lecturers, synchronized sound systems, and voices behind the screen. During this period, musical accompaniment had not yet begun to support the story and its emotions as it would in later years. But in the 1910s, film sound acquiesced to the demands of the burgeoning cinema industry, who successfully argued that accompaniment should enhance film's narrative and emotional content rather than score points by burlesquing or "kidding" the film. The large theaters and blockbuster productions of the mid-1910s provided a perfect crucible for new instruments, new music publication projects, and the development of a new style of film music. From that moment on, film music would become an integral part of the film rather than its adversary, and a new style of cinema sound would favor accompaniment that worked in concert with cinema story-telling. For the first time, Silent Film Sound details the ways in which these diverse interests and industries came together to produce an extraordinarily successful audiovisual art.

Playing With Sound

Playing with Sound PDF
Author: Karen Collins
Publisher: MIT Press
ISBN: 0262312301
Size: 40.39 MB
Format: PDF, Kindle
Category : Games & Activities
Languages : en
Pages : 200
View: 1088

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An examination of the player's experience of sound in video games and the many ways that players interact with the sonic elements in games. In Playing with Sound, Karen Collins examines video game sound from the player's perspective. She explores the many ways that players interact with a game's sonic aspects—which include not only music but also sound effects, ambient sound, dialogue, and interface sounds—both within and outside of the game. She investigates the ways that meaning is found, embodied, created, evoked, hacked, remixed, negotiated, and renegotiated by players in the space of interactive sound in games. Drawing on disciplines that range from film studies and philosophy to psychology and computer science, Collins develops a theory of interactive sound experience that distinguishes between interacting with sound and simply listening without interacting. Her conceptual approach combines practice theory (which focuses on productive and consumptive practices around media) and embodied cognition (which holds that our understanding of the world is shaped by our physical interaction with it). Collins investigates the multimodal experience of sound, image, and touch in games; the role of interactive sound in creating an emotional experience through immersion and identification with the game character; the ways in which sound acts as a mediator for a variety of performative activities; and embodied interactions with sound beyond the game, including machinima, chip-tunes, circuit bending, and other practices that use elements from games in sonic performances.

Understanding Sound Tracks Through Film Theory

Understanding Sound Tracks Through Film Theory PDF
Author: Elsie Walker
Publisher: Oxford University Press
ISBN: 0199896313
Size: 18.23 MB
Format: PDF, Mobi
Category : Music
Languages : en
Pages : 400
View: 211

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Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out. Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts.

Sound A Reader In Theatre Practice

Sound  A Reader in Theatre Practice PDF
Author: Ross Brown
Publisher: Bloomsbury Publishing
ISBN: 1137217650
Size: 37.57 MB
Format: PDF, Mobi
Category : Performing Arts
Languages : en
Pages : 264
View: 3484

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Brown explores relationships between sound and theatre, focusing on sound's interdependence and interaction with human performance and drama. Suggesting different ways in which sound may be interpreted to create meaning, it includes key writings on sound design, as well as perspectives from beyond the discipline.

The Essential Guide To Game Audio

The Essential Guide to Game Audio PDF
Author: Steve Horowitz
Publisher: CRC Press
ISBN: 1134595441
Size: 15.15 MB
Format: PDF, ePub, Mobi
Category : Computers
Languages : en
Pages : 240
View: 3961

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The Essential Guide to Game Audio: The Theory and Practice of Sound for Games is a first of its kind textbook and must-have reference guide for everything you ever wanted to know about sound for games. This book provides a basic overview of game audio, how it has developed over time, and how you can make a career in this industry. Each chapter gives you the background and context you will need to understand the unique workflow associated with interactive media. The practical, easy to understand interactive examples provide hands-on experience applying the concepts in real world situations.

The Sounds Of Silent Films

The Sounds of Silent Films PDF
Author: Claus Tieber
Publisher: Springer
ISBN: 1137410728
Size: 54.69 MB
Format: PDF, Kindle
Category : Music
Languages : en
Pages : 265
View: 5219

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The Sounds of Silent Films is a unique collection of investigatory and theoretical essays that, for the first time, unite up-to-date research on the complex historical performance practices of silent film accompaniment with in-depth analyses of relevant case studies.

Sound And Image

Sound and Image PDF
Author: Andrew Knight-Hill
Publisher: Focal Press
ISBN: 9780429295102
Size: 76.99 MB
Format: PDF, ePub, Docs
Category : Art
Languages : en
Pages : 396
View: 1859

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"Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments within the context of diverse audiovisual practices. The volume's interdisciplinary perspective contributes to the rich and evolving dialogue surrounding the audiovisual, demonstrating the value and significance of practice informed theory, and theory derived from practice. The ideas and approaches explored within this book will find application in a wide range of contexts across the whole scope of audiovisuality, from visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic music. This book is ideal for artists, composers and researchers investigating theoretical positions and compositional practices which bring together sound and image"--