New Wave Shakespeare On Screen

New Wave Shakespeare on Screen PDF
Author: Thomas Cartelli
Publisher: Polity
ISBN: 0745633927
Size: 63.33 MB
Format: PDF, Kindle
Category : Drama
Languages : en
Pages : 201
View: 5610

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The past fifteen years have witnessed a diverse group of experiments in ‘staging’ Shakespeare on film. New Wave Shakespeare on Screen introduces and applies the new analytic techniques and language that are required to make sense of this new wave. Drawing on developments in Shakespeare studies, performance studies, and media studies, the book integrates text-based and screen-based approaches in ways that will be accessible to teachers and students, as well as scholars. The study maps a critical vocabulary for interpreting Shakespeare film; addresses script-to-screen questions about authority and performativity; outlines varied approaches to adaptation such as revival, recycling, allusion, and sampling; parses sound as well as visual effects; and explores the cross-pollination between film and other media, from ancient to cutting-edge. New Wave Shakespeare on Screen emphasizes how rich the payoffs can be when Shakespeareans turn their attention to film adaptations as texts: aesthetically complex, historically situated, and as demanding in their own right as the playtexts they renovate. Works discussed include pop culture films like Billy Morrisette’s Scotland, PA; televised updatings like the ITV Othello; and art-house films such as Julie Taymor’s Titus, Al Pacino’s Looking for Richard, Michael Almereyda’s Hamlet, and Kristian Levering’s The King is Alive. These films reframe the playtexts according to a variety of extra-Shakespearean interests, inviting viewers back to them in fresh ways.

Shakespeare On Screen

Shakespeare on Screen PDF
Author: Sarah Hatchuel
Publisher: Cambridge University Press
ISBN: 1108298699
Size: 13.56 MB
Format: PDF, Docs
Category : Literary Criticism
Languages : en
Pages :
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The second volume in the re-launched series Shakespeare on Screen is devoted to The Tempest and Shakespeare's late romances, offering up-to-date coverage of recent screen versions as well as new critical reviews of older, canonical films. An international cast of authors explores not only productions from the USA and the UK, but also translations, adaptations and appropriations from Poland, Italy and France. Spanning a wide chronological range, from the first cinematic interpretation of Cymbeline in 1913 to The Royal Ballet's live broadcast of The Winter's Tale in 2014, the volume provides an extensive treatment of the plays' resonance for contemporary audiences. Supported by a film-bibliography, numerous illustrations and free online resources, the book will be an invaluable resource for students, scholars and teachers of film studies and Shakespeare studies.

Film Text Kultur

Film  Text  Kultur PDF
Author: John Bateman
Publisher: Schüren Verlag
ISBN: 3741001120
Size: 46.17 MB
Format: PDF, Docs
Category : Performing Arts
Languages : de
Pages : 400
View: 636

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Der erste Band der Reihe stellt eine aktuelle Bestandsaufnahme dar, zugleich liefert der Band neue Impulse zu einer zeitgemäßen interdisziplinären Film- und Textualitätsforschung. Das Buch ist in vier Sektionen gegliedert: In der Sektion Theoretische Grundlagen, Modelle und Reflexionen wird ein Überblick über den Textbegriff, bezogen auf seine Anwendbarkeit auf den Film, aus linguistischer, narratologischer und medienwissenschaftlicher Sicht gegeben. In der Sektion Nationale Identitäten und kulturelle Repräsentationen werden die Auswirkungen und die Rolle des Films für Identitätsbildungsprozesse und kulturelle Repräsentationen in drei Kulturkreisen untersucht: Die Sektion Zwischen Wirklichkeit und Fiktion enthält weitere Beiträge, die sich mit der komplexen Fragestellung der Beziehung von filmischer Erzählung und Wirklichkeit auseinandersetzen. In der letzten Sektion stehen im Mittelpunkt Untersuchungen, die Raum, Zeit und Bewegung als textuelle Mittel untersuchen und zeigen, wie sie filmische Texte aufbauen und die Zuschauerwahrnehmung lenken. Beiträge von Thomas Althaus, Elisabeth Arend, John A. Bateman, Gisela Febel, Knut Hickethier, Matthis Kepser, Markus Kuhn, Gerhard Lüdeker, Dominik Orth, Heinz-Peter Preußer, Norbert Schaffeld, Sabine Schlickers, Oliver Schmidt, Anja-Magali Trautmann, Janina Wildfeuer und Wolfgang Wildgen

Shakespeare On Screen King Lear

Shakespeare on Screen  King Lear PDF
Author: Victoria Bladen
Publisher: Cambridge University Press
ISBN: 1108426921
Size: 23.55 MB
Format: PDF, Kindle
Category : Drama
Languages : en
Pages : 278
View: 248

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An up-to-date survey of Shakespeare's King Lear on screen and the aesthetic, social and political issues raised by screen versions.

Shakespeare On Screen The Roman Plays

Shakespeare on Screen   The Roman Plays PDF
Author: Sarah Hatchuel
Publisher: Presses universitaires de Rouen et du Havre
ISBN: 2877758427
Size: 13.26 MB
Format: PDF, Docs
Category : Art
Languages : en
Pages : 391
View: 4672

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Is there a specificity to adapting a Roman play to the screen ? This volume interrogates the ways directors and actors have filmed and performed the Shakespearean works known as the "Roman plays", which are, in chronological order of writing, Titus Andronicus, Julius Caesar, Antony and Cleopatra and Coriolanus. In the variety of plays and story lines, common questions nevertheless arise. Is there such a thing as filmic "Romanness"? By exploring the different ways in which the Roman plays are re-interpreted in the light of Roman history, film history and the Shakespearean tradition, the papers in this volume all take part in the ceaseless investigation of what the plays keep saying not only about our vision of the past, but also about our perception of the present.

Shakespeare On Screen Macbeth

Shakespeare on screen   Macbeth PDF
Author: Sarah HATCHUEL
Publisher: Presses universitaires de Rouen et du Havre
ISBN:
Size: 24.31 MB
Format: PDF
Category : Art
Languages : en
Pages : 539
View: 6828

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This addition to the Shakespeare on Screen series reveals the remarkable presence of Macbeth in the global Shakespearean screenscape. What is it about Macbeth that is capable of extending beyond Scottish contexts and speaking globally, locally and “glocally”? Does the extensive adaptive reframing ofMacbeth suggest the paradoxical irrelevance of the original play? After examining the evident topic of the supernatural elements—the witches and the ghost—in the films, the essays move from a revisitation of the well-known American screen versions, to an analysis of more recent Anglophone productions and to world cinema (Asia, France, South Africa, India, Japan, etc.). Questions of lineage and progeny are broached, then extended into the wider issues of gender. Finally, ballet remediations, filmic appropriations, citations and mises-en-abyme of Macbeth are examined, and the book ends with an analysis of a Macbeth script that never reached the screen. Ce nouvel ouvrage de la série « Shakespeare à l’écran » révèle la présence remarquable de Macbeth dans le paysage filmique shakespearien à l’échelle mondiale. Comment expliquer qu’une pièce dont l’intrigue est ancrée dans une nation, l’Écosse, ait pu être absorbée par des cultures aussi diverses ? Les multiples adaptations de Macbeth suggèrent-elles, de manière paradoxale, une moindre pertinence de la pièce originelle ? Après avoir exploré la représentation des éléments surnaturels (les sorcières et le fantôme), le volume revisite les films américains « canoniques », les productions anglophones plus récentes et les versions d’autres aires culturelles (Asie, France, Afrique du Sud, Inde, Japon, etc.) Les questions de lignée et de descendance sont abordées, puis prolongées dans des articles sur la représentation du genre. Les versions dansées, les appropriations, les citations et les mises en abyme de Macbeth sont ensuite analysées, et ce parcours mène à un étrange objet – un scénario non filmé.

The Cambridge Companion To Shakespeare On Screen

The Cambridge Companion to Shakespeare on Screen PDF
Author: Russell Jackson
Publisher: Cambridge University Press
ISBN: 110836926X
Size: 54.80 MB
Format: PDF, Kindle
Category : Literary Criticism
Languages : en
Pages :
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The Cambridge Companion to Shakespeare on Screen provides a lively guide to film and television productions adapted from Shakespeare's plays. Offering an essential resource for students of Shakespeare, the companion considers topics such as the early history of Shakespeare films, the development of 'live' broadcasts from theatre to cinema, the influence of promotion and marketing, and the range of versions available in 'world cinema'. Chapters on the contexts, genres and critical issues of Shakespeare on screen offer a diverse range of close analyses, from 'Classical Hollywood' films to the BBC's Hollow Crown series. The companion also features sections on the work of individual directors Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, and Vishal Bhardwaj, and is supplemented by a guide to further reading and a filmography.

Shakespeare On Film

Shakespeare on Film PDF
Author: Maurice Hindle
Publisher: Macmillan International Higher Education
ISBN: 113753172X
Size: 80.35 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 340
View: 616

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This approachable guide establishes the differences between Shakespeare on stage and film, provides an historical introduction and explores the key modes and genre conventions used in film. Thoroughly revised and updated, the new edition also explores technological mediums for viewing Shakespeare on film, and live stage-to-cinema productions.

Shakespeare And The Middle Ages

Shakespeare and the Middle Ages PDF
Author: Martha W. Driver
Publisher: McFarland
ISBN: 0786491655
Size: 37.82 MB
Format: PDF, Kindle
Category : Literary Criticism
Languages : en
Pages : 284
View: 3810

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Every generation reinvents Shakespeare for its own needs, imagining through its particular choices and emphases the Shakespeare that it values. The man himself was deeply involved in his own kind of historical reimagining. This collection of essays examines the playwright’s medieval sources and inspiration, and how they shaped his works. With a foreword by Michael Almereyda (director of the Hamlet starring Ethan Hawke) and dramaturge Dakin Matthews, these thirteen essays analyze the ways in which our modern understanding of medieval life has been influenced by our appreciation of Shakespeare’s plays.

Screen Adaptations Shakespeare S Hamlet

Screen Adaptations  Shakespeare s Hamlet PDF
Author: Samuel Crowl
Publisher: A&C Black
ISBN: 1472538919
Size: 46.88 MB
Format: PDF, ePub, Docs
Category : Literary Criticism
Languages : en
Pages : 176
View: 6449

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Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined. Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's "words, words, words" into film's particular grammar and rhetoric

Von Der B Hne Auf Die Leinwand

Von der B  hne auf die Leinwand PDF
Author: Udo Bomnüter
Publisher: LIT Verlag Münster
ISBN: 3643120915
Size: 33.69 MB
Format: PDF
Category : English drama
Languages : de
Pages : 488
View: 7766

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Screen Adaptations Shakespeare S King Lear

Screen Adaptations  Shakespeare s King Lear PDF
Author: Yvonne Griggs
Publisher: Bloomsbury Publishing
ISBN: 140814400X
Size: 10.49 MB
Format: PDF, Kindle
Category : Performing Arts
Languages : en
Pages : 224
View: 6144

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This close study of film adaptations of King Lear looks at several different versions (mainstream, art-house and cinematic `offshoots') and discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are many references to the literary text and screenplays and the book also features quotations from directors and critics. There is plenty of discursive material here to support student work on both film and literature courses.

The New Cambridge Companion To Shakespeare

The New Cambridge Companion to Shakespeare PDF
Author: Margreta De Grazia
Publisher: Cambridge University Press
ISBN: 1107495482
Size: 32.87 MB
Format: PDF, ePub, Docs
Category : Literary Criticism
Languages : en
Pages : 380
View: 6316

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Written by a team of leading international scholars, this Companion is designed to illuminate Shakespeare's works through discussion of the key topics of Shakespeare studies. Twenty-one essays provide lively and authoritative approaches to recent scholarship and criticism for readers keen to expand their knowledge and appreciation of Shakespeare. The book contains stimulating chapters on traditional topics such as Shakespeare's biography and the transmission of his texts. Individual readings of the plays are given in the context of genre as well as through the cultural and historical perspectives of race, sexuality and gender, and politics and religion. Essays on performance survey the latest digital media as well as stage and film. Throughout the volume, contributors discuss Shakespeare in a global as well as a national context, a dramatist with a long and constantly mutating history of reception and performance.

The Shakespearean World

The Shakespearean World PDF
Author: Jill L Levenson
Publisher: Taylor & Francis
ISBN: 1317696190
Size: 79.93 MB
Format: PDF, Kindle
Category : Literary Criticism
Languages : en
Pages : 654
View: 6760

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The Shakespearean World takes a global view of Shakespeare and his works, especially their afterlives. Constantly changing, the Shakespeare central to this volume has acquired an array of meanings over the past four centuries. "Shakespeare" signifies the historical person, as well as the plays and verse attributed to him. It also signifies the attitudes towards both author and works determined by their receptions. Throughout the book, specialists aim to situate Shakespeare’s world and what the world is because of him. In adopting a global perspective, the volume arranges thirty-six chapters in five parts: Shakespeare on stage internationally since the late seventeenth century; Shakespeare on film throughout the world; Shakespeare in the arts beyond drama and performance; Shakespeare in everyday life; Shakespeare and critical practice. Through its coverage, The Shakespearean World offers a comprehensive transhistorical and international view of the ways this Shakespeare has not only influenced but has also been influenced by diverse cultures during 400 years of performance, adaptation, criticism, and citation. While each chapter is a freshly conceived introduction to a significant topic, all of the chapters move beyond the level of survey, suggesting new directions in Shakespeare studies – such as ecology, tourism, and new media – and making substantial contributions to the field. This volume is an essential resource for all those studying Shakespeare, from beginners to advanced specialists.